Price per Unit (piece):
$3 999.60 (including 10 % tax)
Key Features • 4 Liquid Pre-amps - 40 classic emulations Focusrite's proven Liquid technology delivers unmatched sonic pre-amp variety and quality • Remote control software via ethernet Liquid 4CONTROL enables comprehensive standalone pre-amp control of multiple units, direct from your DAW • Pro Tools Remote control plug-in A TDM/RTAS Liquid 4CONTROL plug-in provides remote control as an integrated part of your Pro Tools session • Full recall of every parameter 99 Unit setup memories provide instant back-up of all settings, including pre-amp selection and gain. • Adjustable harmonic distortion Accounts for variance in vintage originals whislt providing additional variance over the sound of every pre-amp emulation. • Optional Eight channel EtherSound output card Effective connectivity for large studios, post production installs and live sound engineers using EtherSound. • Specifications • Converter performance • Sample rate: 44.1, 48, 88.2, 96, 176.4 and 192kHz • Bit depth: 24-bit A/D • Signal to Noise Ratio: 120dB measured with 20 Hz/22 kHz bandpass A-weighted filter • Frequency Response: ±0.05 dB between 20 Hz – 20 kHz • Maximum input level: +22 dBu • THD+N: 0.0007% (-103 dB) D/A • Dynamic Range: 118 dB measured with 20 Hz/22 kHz bandpass A-weighted filter • Frequency Response: ±0.05 dB between 20 Hz – 20 kHz • Maximum output level: +22 dBu • THD+N: 0.001% (-100 dB) Jitter • Internal Clock: less than 50 ps • AES Output: less than 1 ns • External Clock: less than 3 ns Mic Pre • Gain Range: +14 dB to +80 dB, switched in 1dB steps • Frequency Response: Frequency response and harmonic distortion variable, set by pre-amp emulation and harmonics setting chosen (figures shown for FLAT setting with zero harmonics) • THD+N at analogue out: 0.001% measured with a +1 dBu 1 kHz input signal with 20 Hz/22 kHz bandpass filter, gain +14dB • THD+N at AES out: 0.0007% measured with a +1 dBu 1 kHz input signal with 20 Hz/22 kHz bandpass filter, gain +14dB • Mic Noise: EIN = -128 dB measured at 60 dB of gain with 150 ohm source impedance and 20 Hz/22 kHz bandpass filter • Noise Analogue Out: -92 dBu measured at +14 dB gain with 20 Hz/22 kHz bandpass A-weighted filter • Noise AES Digital Out: -119 dBFS measured at +14 dB gain with 20 Hz/22 kHz bandpass A-weighted filter • Maximum Input Level: +8 dBu • Input Impedance: Variable, set by pre-amp emulation chosen • CMRR: Electronic: greater than 85 dB @ 60 dB of gain Line Input • Gain Range: +32 dB to –10 dB, switched in 1 dB steps • Frequency Response: 0 dB ±0.1 dB between 20 Hz and 20 kHz • THD+N at analogue out: 0.001% measured with a +18 dBu 1 kHz input signal with 20 Hz/22 kHz bandpass filter • THD+N at AES out: 0.0007% measured with a +18 dBu 1 kHz input signal with 20 Hz/22 kHz bandpass filter • Noise Analogue Out: -92 dBu measured at 0 dB gain with 20 Hz/22 kHz bandpass A-weighted filter • Noise AES Digital Out: -120 dBFS measured at 0 dB gain with 20 Hz/22 kHz bandpass A-weighted filter • Maximum Input Level: +22 dBu High Pass Filter • Roll-off frequency: 75 Hz, frequency measured at –6 dB down point. 12 dB per octave roll-off Harmonics • Distortion Range: 0 to 15 where maximum (15) = 10% of 2nd-, 20% of 3rd- and 10% of 5th-order at 0dBFS (level-dependant distortion) Rear Panel Connections • Mic Inputs 1 to 4: XLR female • Line Inputs 1 to 4: XLR female • Line Outputs 1 to 4: XLR male • AES Digital Input: XLR female • AES Digital Outputs (CH 1+2 and CH 3+4): XLR male • Wordclock Input: BNC, hi Z or 75 ohm input impedance (soft switchable) • Wordclock Output: BNC, Low Z input impedance • ADAT From Slave: Toslink optical Input socket • ADAT Main Output and Aux Output: 2 x Toslink optical Output socket • Ethernet Control: Ethernet (10baseT on RJ45) • Ethersound (optional): Ethernet (RJ45) Weight • 5.3kg • 11.7Ibs Dimensions • 484mm (W) x 85mm (H) x 270mm (D) • 19" (W) x 3.5" (H) x 10.6" (D) • 2U rackmount
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